Sean Scully Ireland Usa B 1945 Wall Of Light Fez Christie

Sean Scully Ireland Usa B 1945 Wall Of Light Fez Christie S The light in my paintings is almost always sad and melancholic, but the surfaces are vital and sensual. i want people to be moved by my paintings. but i want them to find their own place.' sean scully bands of green, mustard, cream, navy, and brilliant red are arranged into a patchwork of rich expression in sean scully’s wall of light fez. Painted in 2002, sean scully’s large scale canvas vincent is awash with autumnal hues: panels of burnt orange, warm umber, terracotta, amber, and ochre are interspersed with rectangular sweeps of cool lilac, mulberry, earthy green and midnight blue. the work comes from scully’s celebrated ‘wall of light’ series, an ongoing body of.

Sean Scully B 1945 Wall Of Light Orange Grey Christie S He also produces sculpture, prints, photography and works on paper in watercolour and pastel. born in dublin in 1945, scully grew up in south london. he studied at the central school of art, croydon college of art and newcastle university before settling in new york in 1975. among his early abstract works were his so called ‘grid’ paintings. Hide caption wall of light desert night, 1999 sean scully (american, b. ireland, 1945) oil on canvas; 108 x 132 in. (274.32 x 335.28 cm) collection of the modern art museum of fort worth, museum purchase. Property from the collection of ruth and jerome siegel sean scully (b. 1945) untitled signed and dated 'sean scully 82' (lower right) pastel and graphite on paper 14 x 11 in. (35.5 x 27.9 cm.) executed in 1982. Sean scully (b. 1945) wall of light yellow aquatint with spitbite and sugarlift in colors, on white wove paper, 2002, signed, dated and titled in pencil, numbered 44 50 (there were also five artist's proofs), published by burnet editions, new york image: 17 7 8 x 21 7 8 in. (453 x 556 mm.) sheet: 28 7 8 x 30 7 8 in. (733 x 785 mm.).

Sean Scully B 1945 Wall Of Light Frieze Christie S Property from the collection of ruth and jerome siegel sean scully (b. 1945) untitled signed and dated 'sean scully 82' (lower right) pastel and graphite on paper 14 x 11 in. (35.5 x 27.9 cm.) executed in 1982. Sean scully (b. 1945) wall of light yellow aquatint with spitbite and sugarlift in colors, on white wove paper, 2002, signed, dated and titled in pencil, numbered 44 50 (there were also five artist's proofs), published by burnet editions, new york image: 17 7 8 x 21 7 8 in. (453 x 556 mm.) sheet: 28 7 8 x 30 7 8 in. (733 x 785 mm.). (s. scully, 'some basic principles,' in b. kennedy, sean scully: the art of the stripe, hanover 2008, p. 13). extending over two metres, sean scully's majestic wall of light orange grey is a richly rendered embodiment of colour and form. a carefully considered juxtaposition of light and shadow within an architectural matrix, the quality of. ‘the light in the paintings has to be opened up, pulled out’, he has explained. ‘and it is exactly this difficulty that gives the work its interior life. it is an incarnation, not an explanation’ (s. scully, quoted in f. ingleby (ed.), sean scully. resistance and persistence: selected writings, london 2006, p. 36).

Sean Scully B 1945 Wall Of Light Reef Christie S (s. scully, 'some basic principles,' in b. kennedy, sean scully: the art of the stripe, hanover 2008, p. 13). extending over two metres, sean scully's majestic wall of light orange grey is a richly rendered embodiment of colour and form. a carefully considered juxtaposition of light and shadow within an architectural matrix, the quality of. ‘the light in the paintings has to be opened up, pulled out’, he has explained. ‘and it is exactly this difficulty that gives the work its interior life. it is an incarnation, not an explanation’ (s. scully, quoted in f. ingleby (ed.), sean scully. resistance and persistence: selected writings, london 2006, p. 36).